Abigail Ellery Hathaway is a survivor. She’s also a Woodbury, Massachusetts, police officer with secrets. In The Vanishing Season by Joanna Schaffhausen (Minotaur/St Martin’s Press, December 2017), everyone has secrets. But not everyone is a survivor.
This is the story that won the MWA First Novel competition, and it’s easy to see why. It doesn’t read like a first novel. The characters are fully developed, the plot twists are foreshadowed but practically invisible, and the only speed bump in this mile-a-minute thrill ride is a lovable dog named Speed Bump.
Reed Markham is the disgraced FBI profiler who once rescued 14-year-old Abigail from certain death at the hands of a serial killer. Although Markham literally wrote the book on child abduction by serial murderers, one of his secrets is his wife really helped him write that book. Now she’s divorcing him, he’s fighting a possible addiction to alcohol, the FBI suspended him for making a mistake that cost a girl her life, and he’s not the hero everyone thinks he is.
When Abby grew up, she moved from Chicago to Boston, changed her name to Ellery (a tip of the hat to Ellery Queen?), became a cop, and moved to Woodbury where she thinks no one knows her past. Although Abby/Ellie hides her scars from prying eyes, she’s sure someone stalks her who has somehow discovered her identity.
Every year for the past three, a Woodbury resident disappears on Abby’s birthday. Every year, for the past three, Ellie receives a mysterious birthday card. Is it a coincidence?
With her birthday nigh and Ellie still can’t convince Chief Sam Parker or Detective Jimmy Tipton there’s a serial killer loose in Woodbury, she goes over their heads and asks Reed Markham for help.
Everyone becomes suspect as body parts and secrets are revealed. Was Abby so traumatized as a child that she’s now a killer herself? Is philandering Chief Parker so infatuated with Ellie that he’s stalking her? Is bumbling detective Tipton covering up his own crimes? Inquiring minds want to know.
Well-written and riveting, The Vanishing Season is a fascinating first novel by a writer to watch.
The New Neighbors by Simon Lelic (Berkley, April 2018) isn’t a ghost story. It is a lot like a ghost story, though, because main characters are haunted by skeletons in their own closets.
And it’s like a haunted house tale, because there are strange things in their new house that go bump in the night. There’s also a dead cat in the attic, for example, and a child’s treasure box. There are stuffed owls and strange pictures on the walls allegedly left behind by the previous owner.
It’s really a story about relationships. That fact is brought home right from the beginning by framing alternating chapters with Jack’s confessional letters to Syd, and then Syd’s written reply to Jack, using he said/she said as a device for story reveals. It’s the best frame story I’ve read in a long time. You know what I mean by frame story, don’t you? Of course, you do.
Jack and Syd are only a little suspicious when they acquire their new house for a song, because they’re unwilling to look a gift horse (or gift house) in the mouth. Why should they?
And when all that could possibly go wrong suddenly does, Jack and Syd naturally blame each other and not the house. Jack also blames Bart, his best friend and co-worker. And his nearest neighbor, Elsie’s father.
Syd, of course, blames Jack.
Elsie is the teen girl next door Syd befriends because, like Syd, her father physically and mentally abuses her. Elsie reminds Syd of Jessica, her younger sister, who committed suicide when Syd left home in her teens.
The New Neighbors is also a murder mystery, a whodunit, as well as a nearly-perfect frame story. Brits love a good mystery, don’t they? Almost as much as they enjoy a good ghost story or haunted house tale.
Both Jack and Syd have been insecure since childhood, and that leads them to withhold information and tell lies. And makes it easy for them to wind up in a hellish situation. Relationships are always complicated anyway, aren’t they? But being deprived of parental love while growing up only makes matters worse.
The New Neighbors is a bloody good read. Very highly recommended.
“Paul Dale Anders…son,” the women sang. They broke my name up into two stanzas of two syllables each, placing the emphasis on the second syllable.
“Paul Dale,” they sang. “Anders Son. Paul Dale. Anders son. Paul Dale. Anders son.”
It became a magical chant. So rhythmic. So hypnotic. So simple.
Louisa and Virginia were my two partners in crime on the Faking it in Fandom panel at Windycon, the Chicago-area science fiction and fantasy convention November 10-12 in Lombard, Illinois.
It turns out they were also heads of the programming committee who made panel assignments. When they came across my name, they didn’t know what to do with it.
It was much too long to fit on name placards.
So they shortened it to Paul Anderson.
And it became simply P. Anderson in places on the printed program.
Anyway, they sang my name. They claimed my name was musical, and they really made it sound like music.
Paul Dale. Anders Son. Paul Dale. Anders Son.
One of the reasons I used to use pen names was the unwieldy length of my full name. I also needed to include Dale to differentiate myself from authors like Poul Anderson and Paul Michael Anderson. That made my name too long to fit easily on book covers or spines and on convention badges and placards.
And one of the reasons I’m not better known in the sf community is because my name often gets truncated on programs, name badges and placards.
“You’re who?” people ask.
“Paul Dale Anderson.”
“Never heard of you.”
“Try singing it. Break it down into syllables so you’ll remember.”
Paul Dale. Anders Son.
My father was Paul Anders Anderson, and I really am Paul Anders’ son.
I lived the first twelve years of my life as Dale Anderson. My parents, relatives, and friends all called me Dale to differentiate me from my dad. Some of my friends still call me Dale.
Because editors found it difficult to include my full name on book and magazine covers, you can find some of my novels with only Paul Anderson on the spine. I used Dale Anders as a pen name for a while. It proved useful for contemporary romances and erotica. My first story in The Horror Show bore the Dale Anderson by-line.
But I prefer to use my full birth name for fantasy and horror.
Maybe Paul Dale Anderson doesn’t sound as scary as Stephen King or Dean Koontz. Try punctuating it. Paul Dale. Anders Son. Yeah.
Dark Screams Volume Eight (Hydra, October 31, 2017), edited by Brian James Freeman and Richard Chizmar comes out just in time for Halloween. Cemetery Dance’s editors include five original tales and one reprint from CD in 2015. “Walpuski’s Typewriter” by Frank Darabont is the reprint.
“The Boy” by Bentley Little stinks. Not the story. The story’s great! The boy stinks. Christine, new to the suburb where the boy lives, smells him walk past each day on his way to school. How can anyone possibly smell so bad? You’ll be surprised when you read this story by a true master of surprises.
“Tumor” by Benjamin Percy is filled with rich imagery.
“Twisted and Gnarled” by Billie Sue Mosiman is superbly written, a tale of psychological suspense with supernatural elements.
“The Palaver” by Kealan Patrick Burke is a bit too hairy for my tastes. “India Blue” by Glen Hirschberg is about the start and end of Professional Cricket in America.
My favorite story is “The Boy”. It really got me thinking. “Twisted and Gnarled” runs a close second.
Halloween Carnival Volume Four (Hydra, October, 2017) edited by Brian James Freeman includes four new stories and one reprint. Kealan Patrick Burke’s “The Mannequin Challenge” is a nasty little tale that’ll stab you in the eyeballs. “Across the Tracks” by Ray Garton is truly frightening, and it’s so well-written it deserves a Stoker nomination. Three middle-school boys are bullied by Ed Mortimer and his minions on Halloween, and you expect something really bad will happen. But what does happen, is beyond your expectations. “The Halloween Tree” by Bev Vincent has some intense moments each time the boys pass the tree and the Corrigan house. “Pumpkin Eater” by C. A. Suleiman is about pies and pumpkins and a marriage made in hell. “When the Leaves Fall” by Paul Melniczek is the longest story in the book, and one of the best. More than just a tale of a boy and his dog, it’s downright creepy. Halloween Carnival Volume Four is definitely worth a read.
Arcana 47 was held at Bandana Square in St. Paul, MN, September 29-October 1, 2017. This may be the last time I attend.
It’s impossible to return to the real world after spending three days and two nights in the realm of the imagination.
After nearly 50 years of Arcanas and Minncons, attendance has shrunk to a handful of surviving writers, editors, artists, booksellers, filmmakers, and fans. The annual pilgrimage to the former home of Poul Anderson, Gordy Dickson, Jon Arfstrom, Kirby McCauley, Donald Wandrei, and so many other great fantasists may be about to end.
Stalwarts like Jack Koblas, Eric Carlson, Jon Arfstrom, Bob Weinberg, and Gretta M. Anderson have passed away, and the rest of us are no longer young. Dwayne Olson, Eric Heideman, Dennis Weiler, and Greg Ketter have done the heavy lifting and held the con together. My hat’s off to them for making Arcana 47 one of the best cons I’ve ever attended.
Guests of Honor this year included William F. Nolan, Jason V. Brock, and Sunni Brock. Bill Nolan, still going strong at 89, shared his fascinating memories of Bradbury, Beaumont, George Clayton Johnson, Richard Matheson, and William Shatner, as well as reading a new sf story. Guests were always available and approachable, and I came home with personally-autographed books from Nolan, Brock, Roger Dale Trexler, Wayne Allen Sallee, and Rodger Gerberding.
But all good things must come to an end, and Arcana 47 is now history. Will there be an Arcana 48? Only time will tell.
This weekend was like returning home for me. I attended Arcana in St. Paul, Minnesota.
Arcana Con, for those in the know, is the Midwest equivalent of NECon. Currently located at the Bandana Square Best Western Plus in St. Paul, MN, Arcana 46 was held October 21-23, 2016. It’s a fantasy convention that appeals to collectors and lovers of dark fantasy and horror.
Bandana Square once housed the Northern Pacific Railroad’s Steam Locomotive repair shops. The hotel abuts where the locomotives were painted. The building has rails embedded in the floor and the doors look big enough to admit a steam locomotive. Freight trains still pass by within a half-block of the hotel.
Minneapolis/St. Paul was once home to some of the biggest names in pulp fiction. William Fawcett started Fawcett Publications there with Capt. Billy’s Whiz-bang. August Derleth and Donald Wandrei started Arkham House within a stone’s throw of the Twin Cities. Science Fiction greats like Poul Anderson and Gordon R. Dickson came from Minneapolis. Weird Tales cover artist Jon Arfstrom made his life-long home in St. Paul. Fedogan and Bremer was founded in Minneapolis. Literary agent extraordinaire Kirby McCauley got his start in Minneapolis after graduating from the University of Minnesota. John Sandford still lives and works there.
Jon Arfstrom’s painting on the cover of The Strange Company’s edition of The Devil Made Me Do It, 1985.
Jon Arfstrom’s portrait of me, 1986.
I began attending gatherings of Lovecraftians in Minneapolis and St. Paul in 1982 after meeting Jack Koblas and Eric Carlson at a World Fantasy Convention. Jack and Eric were editors of Etchings and Odysseys, a professionally printed small press fanzine devoted to Weird Tales-style pulp fiction. I, of course, had read most of HPL and Henry Kuttner by that time, and after Jack, Eric, and I carried on long knowledgeable conversations during the WFC, we became life-long friends (both Jack and Eric passed away much too soon, and I miss them a lot).
Jack and Eric invited me to submit an article for the special Henry Kuttner tribute issue of E&O, and they also invited me to attend MinnCon (the forerunner of ArcanaCon) the following October. I agreed to write the Kuttner article and to appear on panels at MinnCon. I also received an invitation from The Strange Company publisher R. Alain (Randy) Everts to attend MadCon in Madison, Wisconsin the following May when E&O #4 would be released with my Kuttner article in it. Randy invited me to submit original fiction to The Arkham Sampler, and he bought several of my stories (he actually paid me cash money and bought me meals at expensive restaurants). He (The Strange Company) also published The Devil Made Me do It, a collection of 20 of my early stories, and a chapbook of Love Till the End of Time. I also sold him a couple of my early down-and-dirty novels that other packagers didn’t want. Randy supposedly published them under pseudonyms. I cranked out two 65,000 word novels on a manual typewriter every month for four years, and some of them were pretty bad (downright, god-awful bad) but they helped me learn my craft.
Then I married Gretta, took a regular 9 to 5 job with a medical publisher and later with Mutual Fund Sourcebook publisher Morningstar, and my fiction output dwindled.
Gretta and I attended MadCons and MinnCons every year from 1983 until 1990. I appeared on Lovecraft and Horror panels, and Gretta appeared with other small press editors on editing and publishing panels at several of the first ArcanaCons after MadCons and MinnCons ceased and Arcana became a full-fledged annual convention instead of just a gathering of friends and Lovecraft scholars.
We stopped attending sf and fantasy conventions entirely in favor of attending professional psychology educational conferences (APA, APS, Illinois Counseling Society, NGH, and alternative healing and wellness conferences).
This year I returned to Bandana Square for ArcanaCon 46.
Most of the people I knew from MinnCon and earlier AracanaCons have passed away or moved out of state. Koblas and Carlson died. Jon Arfstrom died just last year. Bob Weinberg died just last month. Randy Everts is reputed to be living in Hawaii. R. Dixon Smith is now in California. David Pudelwitz was last seen in New Mexico. Roger Gerberding no longer lives in the twin cities, but he is still alive and still painting. Audrey Parente is busy with PulpAdventureCon in New Jersey and Florida. Roger Dale Trexler was unable to make this con but promises to make next year’s ArcanaCon when the GOH will be William F. Nolan. I did spend quality time in conversation with Scott Wyatt, Eric Heideman, Dwayne Olson, and Greg Ketter of DreamHaven Books. I also got to meet the delightful Kathe Koja, this year’s ArcanaCon GOH.
What I like about ArcanaCon is the attendees are all readers and book collectors. The con is small and intimate enough to get to know everyone and talk with everyone.
Once upon a time, attendance at MinnCon was by invitation only. When it became ArcanaCon, it was opened to the public but never widely advertised. It’s one of the best-kept secrets in fandom.
Recently I was asked to serve on a short-story panel at the Bouchercon World Mystery Convention in Toronto (October 12-15) that will attempt to provide advice to new writers on various aspects of craft. The panel’s moderator, frequent EQMM and AHMM contributor James Lincoln Warren, asked each panelist to provide a list of topics for discussion. That got me thinking about endings.
This type of panel is untried ground for me. I am not a teacher of creative writing, nor have I ever so much as attended a class or workshop on creative writing. Anything I know about the short story comes from reading, and from working one-on-one with authors for more than a quarter century. When it comes to reading, however, I have an abundance of experience. EQMM receives about 2,000 submissions per year, and I have always at least check-read every one of them. That’s about 52,000…