Baby Teeth is a Must Read

cover127477-medium baby teeth

 

Baby Teeth: A Novel by Zoje Stage (St. Martin’s Press, July 17, 2018) is every parent’s worst nightmare come true. Although seven-year-old Hanna displays the full spectrum of autistic behaviors like not vocalizing and destructive temper tantrums, she’s Daddy Alex’s little angel and Mommy Suzette’s devil in disguise.

Not unlike Bradbury’s “The Small Assassin” and Lionel Shriver’s We Need to Talk about Kevin, this is more than a simple story about parental denial of their child’s murderous intent. It’s an extended metaphor of human fears, human limitations, and our failure to communicate with each other in a meaningful way.

Just as there’s a good mommy and a bad mommy inside Suzette, there’s an evil, conniving, manipulative Hanna and there’s also the reincarnation of Marie-Anne Dufossete, a girl who was burned at the stake five centuries ago for witchcraft, for casting spells and poisoning people. Is Hanna possessed? Is the murderous Marie-Anne real? Or is she merely the sign of a personality split in a deeply-disturbed highly-imaginative seven=year-old?

As Hanna is expelled from school after school for violent behavior, Suzette is forced to home school her daughter. Hanna’s idea of fun, however, is to hurt other people, especially mommy. She plots to get mommy out of the way so she can have daddy all to herself. Alex, of course, refuses to believe Suzette when she tells him Hanna acts psychotic and needs professional help. When Alex is around, Hanna behaves like the loving daughter he wants her to be.

Stage effectively alternates chapters between Hanna’s POV and Suzette’s, allowing readers access to their innermost doubts and fears. It’s a brilliant kind of she said-she said non-verbal teeter-tottering that builds suspense all the way to the end and beyond.

Alex, born in Sweden (he insists his last name be pronounced Yensen, not Jensen), celebrates traditional Swedish pagan festivals, like building a Walpurgis bonfire on the night of April 30. He uses Swedish terms of endearment for both his wife and his daughter. Suzette, born in America of a Jewish mother and a mongrel father and raised by her grieving mother after her father’s untimely death, appreciates living in a multi-cultural household and learns enough Swedish to reciprocate. Hanna, too, knows Swedish as well as English, but she refuses to talk. She keeps her thoughts bottled up inside herself until they explode in violent outbursts directed at Suzette.

And when she does talk to Suzette, she speaks the French of a long-dead witch that was burned at the stake.

Baby Teeth is a must read for anyone who loves psychological suspense at its finest.

 

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4 Outstanding Stories in Dark Screams 9

Dark Screams 9

 

Dark Screams: Volume Nine edited by Brian James Freeman and Richard Chizmar (Hydra, January 2018) includes three new stories and three stories originally published in Cemetery Dance Magazine. Since the editors of Cemetery Dance edit this anthology series, it’s easy to see how they’re able to put out dozens of anthologies in just a few years and edit a magazine, too. They have twenty-five years of reprints to choose from and only need to add three new tales to create an anthology.

There are four outstanding stories in this anthology.

Best of the bunch is “Torn” by Lee Thomas. Although it’s a reprint from 2012, it has a great plot embellished with all of the tricks of the storyteller’s art: fully-developed characters, multiple mysteries to solve, dire time constraints, apt metaphors, and believable personal conflicts between husband and wife, neighbors, and first responders. It’s the longest story in the book, and it’s an almost perfect story of human compulsion and how compulsion can tear a person apart. Sheriff Bill Cranston fights monsters to save his family and his town, and the monsters are a lot different than anyone expects.

Almost as strong but not as long, “The Blackout” by Jonathan Moore is an original supernatural revenge tale that reads like a police procedural. Detective Nakamura investigates the disappearance of a girl’s corpse during a storm that’s blacked out electrical power in Hawaii and finds more in the dark than he bargained for.

“The Dead Years” by Taylor Grant is a haunting tale of a modern-day Helen of Troy and the price of beauty. It’s also original to this anthology.

“Invitation to the Game” by Kelley Armstrong is well-written and suspenseful with a couple of nice twists. It’s also original.

“Summer of ‘77” by Stewart O’Nan and “Variations on a Theme from Seinfeld” by Peter Straub, both reprints from 2009, were competent but disappointing.

The four outstanding tales make Dark Screams: Volume Nine worth the price. Consider the other two stories an added bonus. Highly recommended.

 

Zippered Flesh 3

Zippered Flesh 3: Yet More Tales of Body Enhancements Gone Bad, edited by Weldon Burge (Smart Rhino Publications, October, 2017), contains nineteen stories, more than half of which are new. Reprints are by Billie Sue Mosiman, William F. Nolan, Jason V. Brock, Jack Ketchum, Graham Masterton, Sandra R. Campbell, and James Dorr.

The book leads with Mosiman’s “Horns, Teeth, and Knobs”, a viciously twisted tale with a shocking ending. Billie Sue is a wonderful writer, and this story showcases her skills. It’ll make you think twice about who your real friends are.

“Upgraded” by Shaun Meeks is about teenaged angst over acquiring the latest and greatest electronic gadget. “Going Green” by Christine Morgan has a similar theme, but it’s as different as night from day, the language rich and verdant, the futuristic gizmos even farther outside the box. “Worm” by Jeff Menapace leaves one feeling hungry. “Reduced to Tears” by Adrian Ludens turns body mutilation into a religious observance, proving less is more. “A New Man” by William F. Nolan tells what bad things might happen if there’s a high-tech software glitch. “Transposition” by Jason V. Brock tells of a face-transplant gone terribly wrong. “The Rose” by Jack Ketchum is about a rose tattoo come to life. “Consume” by Daniel I. Russell is another “less is more” story with scary religious overtones of a supernatural nature.

“All Will Turn to Gray” by Jezzy Wolfe is a remarkable story, textured in rich hues and overtones unlike anything you’ve seen before. “Invisible” by E. A. Black is a meaty tale of repressed anger. “And the Sky was Full of Angels” by L. L. Soares is about coming home from war a changed man. “Shopping Spree” by Meghan Arcuri imagines Photoshopping people. “Closer” by Charles Colyott is a wonderfully poignant and romantic story you really should read. It’s the perfect emotional segue to “Dog Days” by Graham Masterton, another real tear-jerker.

“Switch” by Jasper Bark is extreme horror, very graphic, that may offend some readers. But Krasinski is a real asshole in more ways than one, and he deserves whatever bad juju or bad dodo comes his way. “Hypochondria” by Michael Zeigler tenderly tells of the dangers of medical misdiagnosis and afflictions of the heart. “Gehenna Division, Case #609” by Sandra R. Campbell furnishes a guided tour though Hell. And “Golden Age” by James Dorr celebrates the pioneering tradition that connects past generations with future generations.

My three favorite stories are: “All Will Turn to Gray” by Wolfe, “Horns, Teeth, and Knobs” by Mosiman, and “Shopping Spree” by Arcuri. “Dog Days” by Masterton is also exceptional, and one of the most satisfying stories I’ve read this year. “Going Green” by Morgan is so original, timely, and well-written it deserves special mention (and maybe a Stoker). Kudos to Burge for putting together another fine anthology of cutting-edge fiction.

Since I read an uncorrected ARC of Zippered Flesh 3, I don’t have a  picture of the cover to show you. But the first two covers give you a good idea of what the third will look like.

 

JackHammer is now on sale

Jack Hammer Amazon

 

 

Today, August 1, 2017, is the official release date of JackHammer for Kindle, Nook, and e-book. The trade paperback will appear this fall.

JackHammer is filled with depictions of graphic violence and bodily mutilation. It’s a taut thriller, a realistic police procedural, and a gruesome psychological horror novel all-in-one. I want readers to experience fear. I want to engage your fight, flight, or freeze response and make you shake in your shoes.

But JackHammer is also a love story. And love can conquer fear.

Connie Kelly and Andy Sinnott are two of my favorite characters because they’re madly in love with each other. Both appear in Meat Cleaver and SledgeHammer, and Andy is a major character in Pickaxe and Icepick. Troy and Sally Nolan are back, as are Linda Davis, Rat, and Harvey “George” Fredriks. Their ongoing story arcs constitute the bulk of the Instruments of Death series, of which JackHammer is Book Nine.

Tom Wesley and Danny Norman from Daddy’s Home also play important parts in JackHammer. They, as well as Illinois State Police Lieutenant Dave Mullins, will return in Tire Iron and other novels as the series progresses.

Next up in the series is Box Cutter, followed by Nail Gun.

Once upon a time, I worked for the US Army Construction Engineers, both as a reserve officer and as a DA Civil Service employee. I was a supply man at headquarters S-4 and G-4 shops. I supervised the supply and maintenance of all types of construction equipment. I planned and accounted for the men, money, and materiel allocated in TOEs and TAs. I budgeted for and approved requisitions, arranged transportation of heavy equipment, and visited job sites around the country. I personally transported demolitions and acted as an armed escort on convoys. That was long time ago, but I still have fond memories of seeing sunrises at job sites.

I live in the State of Illinois where politicians are notoriously corrupt. I went to school with, or worked day jobs with, close relatives of prominent organized crime figures. My own neighborhood is currently riddled with daily crime and violence, and I see and hear red and blue flashing lights and sirens throughout the night. Many of my friends and neighbors are thinking of leaving the state, but I’m sticking around. What better environment for a crime writer to have?

You may notice I’ve taken some artistic liberties with campaign finance reporting requirements. These laws have become so complicated not even the politicians know what’s currently required.

JackHammer is a work of fiction, and I am, first and foremost, a fiction writer. None of the events depicted in this novel happened, to the best of my knowledge.

But beware! They could.

As I explained at F. Paul Wilson’s panel on writing horror during Thrillerfest2017, I write cautionary tales that teach you how to survive. Demented serial killers and mass murderers are a reality. Do you know what you would do if you met one? What makes you vulnerable? How would you react if you were choked, bound and gagged, and your body was about to be violated or mutilated? How would you escape? How would you flee? How would you fight?

These are the very real situations confronting characters in JackHammer. How would you react differently if your loved ones were threatened instead of, or as well as, you?

My novels are survival manuals as well as thrillers.

JackHammer is on sale now at https://www.amazon.com/JackHammer-Instruments-Death-Book-9-ebook/dp/B074FDQZB4/ or https://www.barnesandnoble.com/w/jackhammer-paul-dale-anderson/ or Kobo or i-Books.

Be a victor, not a victim.

 

One hell of a weird story! Surreal and spellbinding

what immortal hand

Johnny Worthen’s What Immortal Hand (Omnium Gatherum, October 2017) is one hell of a weird story. It’s the darkest horror I’ve read in a long time.

Michael Oswald stares into the Abyss. He’s already lost his wife, his home, his kids, and now he’s about to lose his job. He feels himself on a slippery slope sliding into nothingness. His self-destruction is nearly complete. He feels as if he has no past, no future. It’s as if time itself plays tricks on him. He loses hours, days, weeks, maybe even years.

He can’t remember his early childhood the way other people can. He can’t even remember half of what happened yesterday. To the world, Michael Oswald is a loser because he values none of the trappings of civilized society. Michael has always been different than others. He believes it’s because he was raised within the foster care system, a ward of the state. He’s had many names, a different last name each time he entered a new foster home, and he has no idea at all who he truly is, who his real parents are, or who raised him during those influential years from three to seven.

Who is he? Where is he? When is he?

What is he?

All his life, it seems, Michael has been aware that there is a caste system—a natural order—at work in the world, even in democratic America. There’s always been haves and have-nots. There’s always been thugs who prey on Travelers. Some people deserve to die and need to be killed as a public service. But, in the end, all living things must die.

If God gives you lemons, get another god. Everyone is born of a Mother, isn’t he or she? And isn’t everyone reborn again and again?

Heh heh.

One hell of a weird story! Surreal and spellbinding. Johnny Worthen’s What Immortal Hand is the darkest tale I’ve read in a long time.

 

 

 

4MK is a gruesome thriller

the fouth monkey

 

The four wise monkeys of ancient oriental myth — hear no evil, see no evil, say no evil, and do no evil — give the killer in The Fourth Monkey by J. D. Barker (Houghton Mifflin Harcourt, June 28, 2017) his name. The 4MK abducts women and sends an ear to the next of kin. Two days later, the victim’s extracted eyeballs arrive in the mail. Then the tongue. Two days after that, 4MK positions the victim’s mutilated body where easily discovered.

Hear no evil, see no evil, say no evil, do no evil. Those are the rules.

Detective Sam Porter, on bereavement leave following his wife’s tragic murder by a convenience store robber, receives a phone call from his partner. The Four Monkeys Killer was accidentally run down this morning  by a Chicago bus on his way to mail an ear of his latest victim to Arthur Talbot, one of the richest men in the city.

Sam’s chased the 4MK for five years. Seven dead girls he couldn’t save. Now it appears Talbot’s illegitimate daughter Emory will be 4MK’s next victim. The clock’s ticking as Sam assembles his task force and tries to find Emory before she dies of dehydration.

The killer’s diary found on the man hit by the bus tells what it’s like to be raised in a family of psychopaths. Barker effectively rotates POV among Porter, Emory, task force members, and the diary. The burning questions become: Is the diary real? Is the dead man the 4MK? Will Emory survive? What did Talbot do to warrant punishment by 4MK? Who killed Heather, Sam’s wife, and what will happen to him?

Set in metropolitan Chicago, the action delves into underground tunnels once used by bootleggers where thousands of rats thrive and Emory may be sequestered. Will she be eaten by rats, die of hydration, or have her eyes and tongue plucked out before 4MK is through with her?

Suspense builds as time runs out. Sam, who was neither able to protect his wife nor the seven previous 4MK victims, is desperate to reach Emory before she perishes.

The Fourth Monkey is as much a great horror novel as a mystery or thriller. Very highly recommended for readers with strong stomachs, insatiable curiosities, and time on their hands because they won’t be able to stop until the very end.

Supernatural Noir

the corpse and the girl

 

John Urbancik’s style is spellbinding. He’s a consummate craftsman. His writing seems like a cross between Raymond Chandler and Stephen King, with maybe a little Richard Thomas thrown in. Maybe some Lewis Carroll, too, to make it even more surreal.

The Corpse and the Girl from Miami (Dark Fluidity, 2017) is a mystery within a mystery. It’s noir and a supernatural thriller all in one.

And, despite everything else, it’s also a love story.

It’s set in Boston, MA, not in Miami. There are some displaced Floridians (Ofelia, Mr. Maker, Armando Luis Salazar) prowling the New England darkness one unusually stormy night, but they have no special love for Bean Town. Neither does The Corpse.

Imagine waking up in a cemetery with three bullet holes in your chest and no pulse. You have no remembrance of who shot you or why. You can’t even remember your name.

Piecing together his identity and solving the mystery of his murder turns into a herculean task for the dead man. There’s another walking dead man and a burgeoning cast of characters, some of whom may be aligned with powerful supernatural forces, to complicate the plot.

No one tells the truth. Ferreting out who killed whom, who is working for whom, and who’s a good person and who’s a bad person keeps the reader turning pages.

If you like a good mystery in an urban fantasy with supernatural elements, you’ll love The Corpse and the Girl from Miami.